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Kathleen Berger
Soprano

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Soprano Kathleen Berger:  Arizona native Kathleen Berger, soprano, most recently debuted with St. Petersburg Opera in Florida as the Witch in Into the Woods ("Kathleen Berger's Witch came into her glamorous own in Act 2 with a spellbinding Last Midnight" - "St. Petersburg Times, September 13, 2009) and appeared as Jenny Lind in "the Pervasive Echo,"  a performance art piece by Ruth Sacks for the Performa Music Festival in New York City. She returned to Compania Li­rica Dolores Marco as a soloist in Zarzuelas y Revistas, celebrating the music of Maestro Alonso, at Teatro Fernan Gomez in Madrid. She sang her first Queen of the Night in Die Zauberfloete with Opera Divertimento in Extremadura, Spain. With tenor Guillermo Orozco and pianist Angel Andres, she appeared in two sold-out concerts for the Real Sociedad Economica del Pais in Jaen, Spain, following her equally successful appearance there in October 2008. In February 2009, she appeared in concert with pianist Eric Malson at the West Valley Art Museum in Phoenix, Arizona, and with Holy Family Concerts in Hicksville, New York. Previously, she made her return to musical theater as the Witch in Into the Woods with Fountain Hills Theatre in Arizona. She appeared as the first American artist to perform with Compania Lirica Dolores Marco in Madrid, in the zarzuela spectacular El Gran Genero Chico, celebrating the centennial of composer Federico Chueca. She then traveled to Ecija, Spain, to give a recital as part of the festival "Musica en los Palacios." In addition, she stepped in on twenty-four hours' notice to replace an ailing soprano as Violetta in the Jefferson County Performing Arts Society's production of La traviata, a role she has sung more than twenty times.

In the summer of 2007, Ms. Berger gave a recital tour, performing to standing-room-only crowds throughout the Castilla y Leon region in Spain, as the first classical artist to perform with the festival Musicos en la Naturaleza ("The great interpretive gifts of Kathleen Berger served to put the public in her pocket, ensuring that the audience supported the singer from the first moment.  But in addition to her charm, one cannot overlook the extraordinary quality of her voice, perfectly seconded at the piano by her compatriot Eric Malson." - La Gaceta de Salamanca, July 24, 2007).  As a result, she was featured as the cover artist of the magazine "Con M de Musica," a publication of "El Mundo," and therein gave an interview about her role in the festival.  She appeared as Musetta in La boheme to critical acclaim with Concerli­rica Opera Internacional at the Teatro Municipal de La Velada in Linea de la Concepcion and in the 4,000-seat Palacio de Deportes in Salamanca, and repeated her Violetta at Teatro Jose Maria Rodero in Torrejon de Ardoz, alongside tenor Francisco Sanchez and baritone Luis Santana.


In 2006, Ms. Berger sang her first Lucia di Lammermoor with Concerliica Opera Internacional in Torremolinos and Marbella, Spain ("Particularly celebrated by the public were the works of...Victor Lemko, in charge of the musical direction...but especially the brilliance of the invited soloist who played the role of Lucia, the North American soprano Kathleen Berger." -  Torremolinos Noticias, September 15, 2006).  2006 also marked her debut as Violetta in La traviata, which she performed to sold out houses throughout Spain with Opera 2001 "Kathleen Berger...threw herself perfectly into the character of Violetta and lived and communicated her pain, her disillusionment and her resignation...she was without fail absolutely correct and secure in all her phrasing, with thrilling moments such as "Amami, Alfredo" or the awaited "Sempre libera," where she reached the E flat easily."-  Miguel A. Nepomuceno, Opera Actual, April 2006).  Immediately thereafter, she repeated the role with the festival La Musica Lirica in Novafeltria, Italy. She collaborated with conductor Gaetano Soliman and the Ukranian National Orchestra for concerts in celebration of Christmas and New Year's Eve ("At their service was the American soprano Kathleen Berger, specializing in oratorio compositions.  Her interpretations of works like the "Ave Maria" of Bach and "Rejoice greatly, o daughter of Zion" from Handel's Messiah were given a great response from the numerous audience members, who endorsed her with strong ovations." - Diario de Burgos, January 3, 2007).  She returned to the US to appear as Giovanna in Verdi's Ernani with American Opera Theater in Palm Springs, California, appearing alongside such Metropolitan Opera artists as Elizabeth Blancke-Biggs and Stuart Neill, under the baton of Michael Recchiuti.


Upcoming appearances include further performances of Zarzuelas y revistas with Compania Lirica Dolores Marco and a recital in Fountain Hills, AZ and Huelva, Spain.


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